DATE 1983 | 1983 |
MEDIUM Mixed Media Istallation | |
SIZE 30′ X 30′ X 14′ |
Sanctuary was a one month mixed media installation at the Lopoquime/Nydak Gallery in Boston, MA. The hanging element was aligned to the cardinal directions, as were the wall mounted Beach Castings.…
Read More →DATE | 1980, Massachusetts College of Art |
MEDIUM | Beach Castings, Mixed Media |
SIZE | 40′ X 30′ X 12′ |
Beach castings from Plum Island, Massachusetts.…
Read More →DATE | 1979 |
MEDIUM | Mixed Media Installation |
SIZE | 40′ X 30′ X 10; |
Installation at Tufts University Visual Arts Gallery, Medford, MA. Site Specific installation dealt with the interface of Earth and sky (beach castings and Celestial alignment) and the dualistic point of balance between high and low tides (castings were made from the intertidal zone).…
Read More →DATE | 1978 |
MEDIUM | Plexiglass, plaster, sand |
SIZE | 24″ Diam X 3″ Deep |
First of a series of beach castings from Plum Island, MA. Later cast in Bronze and Glass. Many of the beach casts were taken from the intertidal zone (while the tide was out).…
Read More →DATE | 1976 |
MEDIUM | Pit Fired Clay |
SIZE | 18″ X 18″ X 3″ |
Maquette for permanent installation project in collaboration with Charles Mattox (not built). Designed for Santa Barbara, CA, the piece was meant to be a site for interaction with migrating whales.…
Read More →DATE | 1975 |
MEDIUM | Mixed Media |
SIZE | 18″ X 18″ X 8″ |
A seemingly carved ancient stone inspired four surrounding interpretations of how it may have looked before weathering. The piece was shown at the 1975 Museum of New Mexico Museum of Fine Arts (Biennial exhibition) Santa Fe, NM.…
Read More →DATE | 1973 |
MEDIUM | Plaster, Adobe, Pastels |
SIZE | 10″ X 6″ X 12″ |
Literal and representational Earth are combined, compared, contrasted.…
Read More →DATE | 1972 |
MEDIUM | Pit-fired Clay and Wood |
SIZE | 14″ Diam. X 2.5″ |
Aligned true N-S on a verticle outside wall, the sun’s altitude off of the horizon on the Equinoxes corresponds with markings on the disk.…
Read More →DATE | 1972 |
MEDIUM | Pit-fired Clay |
SIZE | 12″ X 2″ X 14″ |
Reflects an involvement in solar design/construction at the time, and its ancient history based in spiritual practices. The relativity theory-related title references a continuum of universal knowledge that transcends time and space.…
Read More →DATE | 1972 |
MEDIUM | Pit-fired Clay and Wood |
SIZE | 10″ X 2″ X 30″ |
An intuitive game in which there are no rules, winners, or losers. Players take turns rotating the elliptical elements and movable ceramic shells.…
Read More →DATE | 1972 |
MEDIUM | Pit-fired Clay, Wood |
SIZE | 13″ Diam. X 2″ |
An early variation on the “Ambiguous Solid” concept which explores spatial perception, numerology, and sacred geometry.
…
Read More →DATE | 1971 |
MEDIUM | Ceramic and Wood |
SIZE | 23″ X 6″ X 18″ |
One of eighteen elements in the installation “Earth Altar III,” exhibited at the University of New Mexico Fine Arts Gallery, Albuquerque, NM.…
Read More →DATE | 1971 |
MEDIUM | Mixed-Media Installation |
SIZE | 12′ x 4′ x 12′ |
Installation at the University of New Mexico Fine Arts Gallery. Includes Earth castings, Stone Nugget hanging, maquette of the Earth Mother Shrine, Nugget 21, barn wood, and earth.…
Read More →DATE | 1971 |
MEDIUM | Mixed Media |
SIZE | 14′ X 8′ X 5′
|
Built on the campus of the University of New Mexico to celebrate the second annual Earth Day, it contains two small chambers, aligned true North/South.…
Read More →DATE | 1970 |
MEDIUM | Plaster, earth |
SIZE | 24″ Diam. X 2.5″ |
One of the first in an ongoing series of earth castings in a variety of media. Usually shown in groups, to indicate the direction and continuity of water and wind patterns, they are located in installations to designate solar coordinates on the horizon.…
Read More →DATE | 1970 |
MEDIUM | Raku-fired Stoneware |
SIZE | 6′ X 12″ X 3′-8″ |
These pieces were used to commemorate the separation of five friends at the end of undergraduate college years. After a campfire celebration sharing songs, memories, and tall tales, all went their different ways, each with one of the pieces, ritualizing their connectedness into the future.…
Read More →DATE | 1970 |
MEDIUM | Raku fired clay |
SIZE | 16′ X 16″ X 5″ |
A series of womb-like shapes that represented a path to consciousness, the evolution of spiritual awareness, growth. Also related to a study of sacred numbers and Tantra Art.…
Read More →