DATE | 2016 |
MEDIUM | Mixed Media: Digital composite, photographs, tubes, wood |
SIZE | 20' x 24' x 8' |
DATE | 2017 |
MEDIUM | Bronze |
SIZE | 2.5″ X 3″ X 4.5″ |
One of a continuing series of projects and works that pay homage to 20th and 21st-century artists who had profound influences on the evolution of contemporary art.…
Read More →DATE | 2017 |
MEDIUM | Bronze |
SIZE | 4.5″ X 3.5″ X 4″ |
This Gargoyle mother guarding her eggs was recently observed in New Jersey. The sculptural replica may be displayed in five different orientations.…
Read More →DATE | 2017 |
MEDIUM | Bronze |
SIZE | 6″ X 2″ X 8″ |
These performance artists are able to defy gravity while vigorously rocking to and fro, confounding even the most skilled Cirque du Soleil stars.…
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DATE | 2016 |
MEDIUM | Travertine Marble and Earthworks |
SIZE | 28′ X 28′ X 6′ |
Shadow of central solar marker stone, cut to angles of Summer Solstice and Winter Solstice sun altitude, falls on ground stones to record meaningful dates.…
Read More →DATE | 2015 |
MEDIUM | Travertine Marble and base |
SIZE | 6′ X 4′ x 6′ |
Shadow of central solar marker stone, cut to angles of Summer Solstice and Winter Solstice sun altitude, falls on ground stones to record meaningful dates.…
Read More →DATE | 2015 |
MEDIUM | Maquette, bronze and wood base |
SIZE | 12″ X 6″ X 4″ scale: 1″ = 5′ – 0″ |
Tragically, collateral damage, i.e. the killing of innocent civilians in war, continues to be carried out at a horrendous rate in wars worldwide.…
Read More →DATE | 2010 |
MEDIUM | Steel and Found Materials |
SIZE | 6′ X 6′ X 8′ |
Symbolizes the threat of Global Warming. An antique, worn-down shovel, used to maintain the acequia (irrigation ditch) in El Valle, NM, is interred inside cemetery fencing filled with metal “crops’.…
Read More →DATE | 2006 |
MEDIUM | Steel, Wood, Found Materials |
SIZE | 6′ X 6″ X 8′ |
Symbolizes the threat of Global Warming. An antique, worn-down shovel, used to maintain the acequia (irrigation ditch) in El Valle, NM, is interred inside “cemetery fencing” filled with metal “crops’.…
Read More →DATE | 1991 |
MEDIUM | Hay Bales and Steel |
SIZE | 3″ X 3′ X 9′ |
Created for the “Mile of Sculpture” exhibition in 1991, this temporary installation piece was sited in front of the old St.…
Read More →DATE | 1989 |
MEDIUM | Concrete and Steel |
SIZE | 24′ X 22′ X 24′ |
This piece is the first of two sculptures referencing the Rancho Pacifico land grant area (now parts of Long Beach and Compton, CA).…
Read More →DATE | 1989 |
MEDIUM | Concrete and Steel |
SIZE | 34′ X 34′ X 24′ (including planting circle) |
Three vertical elements are aligned to sunrise and sunset points on the horizon at Winter/Summer Solstices (Lt., Rt), and north/south (the central vertical).…
Read More →DATE | 1989 |
MEDIUM | Fabricated Bronze |
SIZE | 18′ X 18′ X 24′ |
Located on Hunting Drive in Monrovia, CA, this piece is oriented toward the North Star and suggests a cubic Earth symbol with wings (or solar panels?).…
Read More →DATE | 1988 |
MEDIUM | Concrete and Steel |
SIZE | 44′ X 36′ X 7′ (installation size) |
Located on Huntington drive in Monrovia, CA, this piece is derived from ancient stone dolmens found worldwide.…
Read More →DATE | 1987 |
MEDIUM | Concrete and Steel |
SIZE | 16′ X 8′ X 7′ |
Across the street from Monrovia Sunshapes on Huntington Drive in Monrovia, CA, this piece is oriented toward the Summer Solstice sunset and Winter Solstice sunrise at that location.…
Read More →DATE | 1987 |
MEDIUM | Found steel parts and Earthworks |
SIZE | 210′ X 80′ X 18′ |
This permanent solar-aligned installation was built to preserve a memory of the previous U.S. Steel plant site.…
Read More →DATE | 1986 |
MEDIUM | Concrete and Steel |
SIZE | 110′ X 50′ X 28′ |
Located in greater L.A. (City of Commerce, CA), a central tower with wind chimes is aligned facing due West (East behind), with flanking elements indicating Solstice and Equinox sunrise/sunset positions on the horizon.…
Read More →DATE | 1986 |
MEDIUM | Painted Steel and Earthworks |
SIZE | 45′ X 32′ X 30′ |
Fabricated from salvaged parts of the obsolete U.S. Steel plant, the “Sunwheel” directs light through the diagonal steel tube into an underground chamber twice a year.…
Read More →DATE | 1985 |
MEDIUM | 16′ X 9′ X 30′ |
SIZE | Stainless Steel |
Located at Commerce Business Park in the City of Commerce, CA, this piece frames the entrance into the building.…
Read More →DATE | 1985 |
MEDIUM | Bronze from Sand cast original |
SIZE | 24″ Diam X 1/2″ thick |
Descriptive text goes here.…
Read More →DATE | 1984 |
MEDIUM | Concrete and Steel |
SIZE | 8′ X 8′ X 10′ |
One of several solar-aligned public sculptures derived from ancient stone dolmens. A “notch” in the circular, south-facing “capstone” element allows a beam of sunlight to fall on the tallest vertical element, indicating the summer and winter solstices.…
Read More →DATE 1983 | 1983 |
MEDIUM Mixed Media Istallation | |
SIZE 30′ X 30′ X 14′ |
Sanctuary was a one month mixed media installation at the Lopoquime/Nydak Gallery in Boston, MA. The hanging element was aligned to the cardinal directions, as were the wall mounted Beach Castings.…
Read More →Created in 1983 for the Denny’s World Headquarters in Anaheim, CA, the atrium installation included five kinetic, hanging aluminum elements. When entry doors on the first floor were opened and closed, changing air currents in the atrium randomly moved the elements. …
Read More →DATE | 1982 |
MEDIUM | Patinaed Brass |
SIZE | 28′ X 6′ X 30′ |
Seven suspended elements suggest a progression of concept and emotion through their variations in form. I also conceived them as 3-D symbols akin to letters or words.…
Read More →DATE | 1982 |
MEDIUM | Painted Steel |
SIZE | 40′ X 40′ X 8′ |
Truck parts were originally cut from 5′ X 8′ steel plates, leaving these pieces to be scrapped. They were cut/”folded” and welded back together to create the five solar-aligned elements.…
Read More →DATE | 1981 |
MEDIUM | Steel |
SIZE | 50′ X 30′ X 28′ |
Ironically, the solar-aligned group came from a 62-ton, 40-foot long steel tube, part of equipment used at the U.S. Steel plant to make sections of the first Trans-Alaska oil pipeline. …
Read More →DATE | 1980 |
MEDIUM | Mixed Media Istallation |
SIZE | 40′ X 40′ X 12′ |
Site-specific installation at the Danforth Museum, Framingham, MA. “Doorways” in the (Fibonacci Series determined) curved pathway were aligned to Solar coordinates on the (outside) horizon.…
Read More →DATE | 1980, Massachusetts College of Art |
MEDIUM | Beach Castings, Mixed Media |
SIZE | 40′ X 30′ X 12′ |
Beach castings from Plum Island, Massachusetts.…
Read More →DATE | 1979 |
MEDIUM | Mixed Media Installation |
SIZE | 40′ X 30′ X 10; |
Installation at Tufts University Visual Arts Gallery, Medford, MA. Site Specific installation dealt with the interface of Earth and sky (beach castings and Celestial alignment) and the dualistic point of balance between high and low tides (castings were made from the intertidal zone).…
Read More →DATE | 1976 |
MEDIUM | Pit Fired Clay |
SIZE | 18″ X 18″ X 3″ |
Maquette for permanent installation project in collaboration with Charles Mattox (not built). Designed for Santa Barbara, CA, the piece was meant to be a site for interaction with migrating whales.…
Read More →DATE | 1975 |
MEDIUM | Mixed Media |
SIZE | 18″ X 18″ X 8″ |
A seemingly carved ancient stone inspired four surrounding interpretations of how it may have looked before weathering. The piece was shown at the 1975 Museum of New Mexico Museum of Fine Arts (Biennial exhibition) Santa Fe, NM.…
Read More →DATE | 1974 |
MEDIUM | Mixed Media |
SIZE | 6′ X 3′ X 9′ |
An Earth Casting from a site in El Valle, NM, oriented true East/West, records the Summer Solstice. At solar noon, shadows from the top brass rings fall on a corresponding arrangement of small brass pins in the “earth” surface.…
Read More →DATE | 1974 |
MEDIUM | Pen and Ink |
SIZE | 12″ X 14″ |
One of some 30 pen and ink drawings used in later digital composite illustrations for Adventure to Eco Earth: Eco Animals.……
Read More →DATE | 1974 |
MEDIUM | Pen and Ink |
SIZE | 12″ X 14″ |
One of some 30 pen and ink drawings used in later digital composite illustrations for Adventure to Eco Earth: Eco Animals.……
Read More →DATE | 1974 |
MEDIUM | Pen and Ink |
SIZE | 12″ X 14″ |
One of some 30 pen and ink drawings used in later digital composite illustrations for Adventure to Eco Earth: Eco Animals.……
Read More →DATE | 1974 |
MEDIUM | Steel, Brass, and candles. |
SIZE | 36″ X 18″ X 24″ |
Drawing on themes from pre-1970 sculptures, this piece was inspired by the environment of El Valle, New Mexico.…
Read More →DATE | 1973 |
MEDIUM | Wood |
SIZE | 10″ X 6″ X 12″ |
One of a series of pieces exploring the primary elements.…
Read More →DATE | 1973 |
MEDIUM | Plaster |
SIZE | 10″ X 6″ X 12″ |
The Mandorla shape in this Nugget “reveals” receding duplicates, the sacred number 3, and circle/triangle shapes symbolizing the duality of earth and universe.…
Read More →DATE | 1973 |
MEDIUM | Plaster |
SIZE | 10″ X 6″ X 12″ |
Final reductivist stage of the Nugget evolution suggesting wholeness, completion.
…
Read More →DATE | 1972 |
MEDIUM | Pit-fired Clay and Wood |
SIZE | 14″ Diam. X 2.5″ |
Aligned true N-S on a verticle outside wall, the sun’s altitude off of the horizon on the Equinoxes corresponds with markings on the disk.…
Read More →DATE | 1972 |
MEDIUM | Pit-fired Clay and Wood |
SIZE | 10″ X 2″ X 30″ |
An intuitive game in which there are no rules, winners, or losers. Players take turns rotating the elliptical elements and movable ceramic shells.…
Read More →DATE | 1972 |
MEDIUM | Pit-fired Clay, Wood |
SIZE | 13″ Diam. X 2″ |
An early variation on the “Ambiguous Solid” concept which explores spatial perception, numerology, and sacred geometry.
…
Read More →DATE | 1972 |
MEDIUM | Steel and Planting |
SIZE | 9′ X 9′ X 3″ (variable with planting) |
Found wagon-wheel rims provide a sculptural trellis for Silver Lace Vine (see detail). The seasonally-changing piece celebrates growth, life, and a fusion of sacred geometric shapes.…
Read More →DATE | 1971 |
MEDIUM | Ceramic and Wood |
SIZE | 23″ X 6″ X 18″ |
One of eighteen elements in the installation “Earth Altar III,” exhibited at the University of New Mexico Fine Arts Gallery, Albuquerque, NM.…
Read More →DATE | 1971 |
MEDIUM | Mixed-Media Installation |
SIZE | 12′ x 4′ x 12′ |
Installation at the University of New Mexico Fine Arts Gallery. Includes Earth castings, Stone Nugget hanging, maquette of the Earth Mother Shrine, Nugget 21, barn wood, and earth.…
Read More →DATE | 1971 |
MEDIUM | Mixed Media |
SIZE | 14′ X 8′ X 5′
|
Built on the campus of the University of New Mexico to celebrate the second annual Earth Day, it contains two small chambers, aligned true North/South.…
Read More →DATE | 1970 |
MEDIUM | Plaster, earth |
SIZE | 24″ Diam. X 2.5″ |
One of the first in an ongoing series of earth castings in a variety of media. Usually shown in groups, to indicate the direction and continuity of water and wind patterns, they are located in installations to designate solar coordinates on the horizon.…
Read More →DATE | 1970 |
MEDIUM | Snow |
SIZE | 20′ X 6′ X 3′ |
Nambe New Mexico. Further evolution of the Nugget concept to a time-based, outdoor, process piece. Nuggets changed form while melting away over a three day period.…
Read More →DATE | 1970 |
MEDIUM | Raku fired clay |
SIZE | 16′ X 16″ X 5″ |
A series of womb-like shapes that represented a path to consciousness, the evolution of spiritual awareness, growth. Also related to a study of sacred numbers and Tantra Art.…
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